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Vibin' to the bop on the first couple spins then all of a sudden, that hidden coded language becomes untangled. Is you a R&B nigga? Something I gotta know That's the only color that ain't done me wrong I hate thinkin' 'bout that shit, it's like a domino
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Pay closer attention to the coded lyrics and you'll grinning at his cleverness.Īctive listeners will get rewarded with gems like the string of bars from the album opener KOVERT: It's great for passive listening as the soulful and smooth production from long-time confidant Monte Booker, paired with the variety of flows and melodies by Smino, makes for something to chill and vibe to. The duality of this album is a strength in and of itself, which lends to the high replay value. The rest of NOIR operates in a similar fashion. It may seem chaotic at first, but the infectious nature of the song will draw you back for multiple plays and a deeper dive into the music. The fun and light-hearted bounce allow a canvas for Smino to create an authentic painting, one that's outlined with wordplay and colored in with a lively vocal performance. The Afrobeat-inspired production, handled by a familiar Sango, sounds like a cut that could easily wind up in the live-action remake of The Lion King. Louis nigga give you Jason Voorhees or Jayson Tatum I milk the game like moo-moo-moo, bitch get out the wayĪ St. Typhoon in that Poom Poom, taste better when it’s vegetarian Lil boo got them juices, heal me up with the elderberry The coupe going stupid, call it Cupid it's February The Mary got me merry, now I'm singing like Mary Mary is an introduction to the unconventional world of this project:īaby ain't nothing ’bout me PG, rated X for extraordinary Lyrically, visually, and sonically, L.M.F. Lead singles are often mission statements to new and old fans alike. "My ability to just hear a harmony or sing a melody to invoke a feeling.that comes from church." A novice's attempt would only create disjointed confusion on NOIR, the listener is taken on a techni-colored journey that "neatly" explores the boundaries of audio recordings. One can tell such dense and layered music is a result of years exposure to sound and dedicated practice. What separates himself from many of his peers is the unique presentation of complex lines coupled with melodies that effortlessly toggle between sung and rapped. My mama sang and my dad played piano-Sunday morning you can catch them still doing that at church." With hymnals and instrumentation embedded in the Smith lineage, it's no mystery how Smino became drawn to his current profession. Growing up in a household surrounded by music only furthered his early development. I got in trouble because I was talking about robbing people and stuff-I was 7 or 8 years old,' he remembered, laughing." "'In first grade, I wrote my first rap on my homework. Although he's fairly new to public consciousness among music fans, Smino has been harnessing his craft since elementary school. At a run-time just under an hour, NOIR is a genre-blending effort deep-rooted with hip-hop, neo-soul, funk, and RnB traditions that are remixed with an exotic twist. Painting Smino's style with a few broad strokes or simply typecasting him "avant-garde" would be an unfair glance.
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His multi-faceted talent was on full display throughout NOIR, the follow-up project to the 27-year-old rapper official debut blkswn from 2017. has an artistry as vibrant as autumn's foliage. Here to place its hip-hop scene back on the map for 2018 and beyond is the eclectic presence of Smino.įrom North St. Louis: a metropolis heralded for its Cardinals and its Gateway Arch.